Photo Post: La Hermandad Rociera de Triana and the Pilgrimage to El Rocío

“No, no, no,” Lucía shook her head fiercely as curls of white smoke escaped from her lips. “You shouldn’t be in Cerro de Águila by yourself. Crime is rampant over there.”

That following morning at the Novio’s new house in Cerro, I was woken up by the fourth-floor shaking as what sounded like a loud pop boomed throughout. I ran into the bathroom and slammed the door behind me.

Turns out the potential guns from the ‘crime capital’ of Seville were actually noisemakers of the neighborhood’s religious brotherhood.


Fifty days after Resurrection Sunday, those faithful to the Virgen del Rocío (which is practically all of Southern Spain) make a pilgrimage towards La Aldea, a small hamlet full of stately mansions and dirt roads. The striking hermitage – a grandiose white mirage set at the southern edge of la Aldea with views to the marshes of Doñana National Park – was first built on the supposed spot where Alfonso the Wise found an effigy of the Virgin Mother. Today, it’s popular for its most raucous fiesta in the middle of the springtime. 

Seville counts five hermandades – Savlador and Triana are the most famous – whose numbers are staggering. On the Wednesday before Pentecost Sunday, covered wagons pulled by oxen, horses or even tractors set out towards the Almonte and la Aldea, following a silver-laden carriage with an image of the Rocío known as a simpecado. For many of the devout, this spiritual cleansing, characterized by sleeping and eating outdoors, song and dance and prayer, is the most important part.


When I worked in Olivares, many of my students went missing in the days leading up to El Rocío and the days surrounding Pentecost. I had a handful named Rocío or Paloma in homenage to the Virgin Mary who, quite possible, is the most revered in Andalucía. 

Few things get me out of bed before 8am, but today I was already out the door at that time, Camarón fully charged and ready to shoot (the cohetes would have woken me up regardless). Mass at the chapel on calle Evangelista began at 7:30am, and the simpecado, preceeded by horses and pilgrims, left shortly thereafter. In the past, the carretas that carry supplied for the ten-day pilgrimage were allowed to traverse Triana, but city ordinance now mandate that the wagons start from Plaza Chapina at the northern end of the neighborhood.

romeros ready for El Rocio

Devout pilgrims at el Rocio

Romeros on Calle Pureza Triana

I followed the crowd to Calle Pureza and the door of the Esperanza de Triana church. Here, in one of the most emblematic monuments of the barrio, the simpecado would pass, the devout would pray and the pilgrimage would truly begin.

Perched on the curb just opposite the gleaming white temple, itself a nod to its marisma counterpart 70 kilometers west, I watched as romeros – the name for pilgrims around these parts – flooded the streets. Men wear straw hats and women don flamenco dresses that are easier to walk in, all clutching medals that bear the Virgen del Rocío.

Rocio Fashion 2015

carretas of El Rocio

Gitanas El Rocio

A three-piece band led the procession. Sevillanas with a twist, rocieras use a cane and a bass drum instead of cajas and flutes in place of guitars, and singers belt out songs proclaiming the glory of the Blanca Paloma. Behind them came romeros on horseback and the image of the Virgen herself.

music of el Rocio

prensa en el rocio

Triana to El Rocio on horseback

Romeros de Triana 2015

Calle Pureza during El Rocio

El Rocio passing by the Esperanza de Triana

Once the simpecado had reached the door of the church, pulled by two oxen, a man on horseback removed his had and, red faced, began to rally.¡Viva La Virgen del Rocío! ¡Viva la Blanca Paloma!¡Viva la Marismeña! Each battle cry was followed by a hearty ¡Viva! 

“¡Y Viva Triana! ¡Viva Triana! ¡Viva Triana!”

Salida del Simpecado Rociero


Everyone around me erupted into song as petals were thrown from the roof of the church. While El Rocío has a steady dose of hedonism, the true root of the festival lies in soul-stirring devotion. I felt moved in the same way that Semana Santa touched me. People stopped shoving and began to cry, crossing themselves as they proclaimed that only in Heaven is the Virgen del Rocío more loved.

Want to read more about the festival? I attended the Pentecost Sunday activities –¡vestida de gitana! – in 2012.

Love and the Art of Flamenco Guitar Making: A Visit to the Guitarrería Mariano Conde

The sawdust on the floor gave it away: this was actually a living, breathing sort of workshop, not one where the workers are tucked away, out of sight for appearances. My ears perked with each twang of the six strings of a flamenco guitar. There was a few hollow knocks, followed by a bit of sanding.

That’s where the sawdust came from. 

Growing up, I played the clarinet and learned music theory while perfecting trills, scales and my embouchure. Upon taking a flamenco course in Seville, I discovered that I shared the innate rhythm bailaores possess, the internal metronome that allows them to recognize palos and styles, then spiral into dance. My ears picked up the 2/4 and 3/4 counts and set my feet into motion with a firm golpe using my whole foot.

There are three big parts to flamenco – el cante, or the song; el baile, or dance;  el toque, or the guitar. The guitar is what accompanies  the cante, and sets rhythm to the bailaor. 

To learn about how flamenco guitars are crafted, Tatiana took us to the Mecca of guitarras flamencasGuitarrería Mariano Conde. Tucked away from the Ópera area on Calle de la Amnistía, this workshop has existed since 1915 and is operated by a third-generation craftsman and his son. 

Mariano hardly looked up from his work as he welcomed us into the bi-lever taller. He was sanding down the intoxicating curves of a flamenco guitar, crafted from cyprus and a century-old design. There was a muttered holaaaaa bienvenidas and a quick dos besos for Tatiana as she led us downstairs into the dimly lit belly of the shop. 

The tools of the trade stood against the wall – picks, sanders, measuring sticks, protractors. Nearly two dozen guitars in various stages of development, each showing just a fraction of the work that goes into crafting a lightweight flamenco guitar. In all, about 300 hours of labor go into producing a single instrument.

Mariano descended the stairs, carrying a soundboard over his shoulder. Made of thin strips of cypress or spruce, this part of the guitar provides for the reverberation and the sound that is transmitted when strings get plucked. Once this part of the guitar has been crafted, the sideboards are affixed, followed by the fretboard, or neck.

Just as a painter signs the bottom of a masterpiece, Mariano’s signature comes by way of the carving on the top of each fretboard – his is a minute, gently sloping “M.”

Many of the guitars we saw were in their final stages of production – applying coat after coat of French shellac, drying, or ready for the strings and bridge to be attached. Around the sound hole, Mariano adds another signature of his workshop, one which is solely dedicated to flamenco guitars: the rosette.

Made from carved and dyed pieces of wood, the color and pattern of rosettes changes regularly, and his current design pays homage to the first generation of flamenco guitar craftsmen in his family. The costs begin at 2800€ and rise steadily from there, depending on the wood used and hours of craftsmanship.

Unless, of course, it’s a Sonata.

A list of about 30 names of guitars, named for the poems that accompany the tag, are specially crafted for famous names in flamenco (including the recently deceased flamenco great, Paco de Lucía) and specialty buyers, including musicians who do not perform in the flamenco style. The Sonata guitars are pricey, but done solely by el maestro himself.

Mariano himself was hospitable, answering my questions between teens looking to replace nylon strings and other curious buyers who walked into the shop.

To say the Conde Hermanos, sobrinos de Domingo Esteso, are household names when it comes to flamenco guitars, would be an understatement. I’m not a flamenco aficionado, but can appreciate the discipline and attention it take to perfect an art, be it el cante or el baile or el toque.

The Art of Making, Alma Flamenca from Deep Green Sea on Vimeo.

I visited Guitarrería Mariano Conde as part of the ‘Origins of Flamenco’ tour with OGO Tours. Check out their website for loads more, from food to walking tours to excursions. Javier and Tatiana graciously invited my friend and I free of charge, but all opinions are my own.

If you’re interested in more Madrid and flamenco: My Perfect Madrileño Day | Mercado San Miguel | Where to see flamenco in Seville

Do you like Flamenco?

Tapa Thursdays: Taifa, Seville’s Answer to the Craft Brew Craze

Leave it to me playing on my cell phone to uncover something new in the Mercado de Triana. As we went for takeout sushi, I led the Novio down the wrong aisle in the iconic food market and ended up right in front of a craft beer bar.

I’d heard rumors of Spain upping their hops ante, and even though craft brews had caught on in Madrid and along the Mediterranean coast, sevillanos has remained pretty loyal to their local brand, Cruzcampo.

Don’t get me wrong – I love Cruzcampo, but more than the taste, I love what it means to me: sharing a sunny day with friends and stopping to take a break once in a while – but it doesn’t hold a candle to the midwestern beers I drank all summer. Taifa is more than an adult beverage – it’s the dream its socios had to bring a new product to the market, and one that surprises in a one-beer sort of town.

The Novio grabbed a 5€ snack of chicarrones, or fried pig’s skin, while I chatted up Jacobo, the founder and half of the bilingual pair who own and market Taifa. He told me that they brew close to twelve thousand litres of beer each year and have two varieties – a blonde and a toasted malt – with a third, and IPA, on the way.

The beers are reminiscent of those from the Sam Adams family, an intermediary between the mass-produced brands and the over-the-top flavored brews, all made from natural ingredients and brewed within the Triana Market. Jacobo and his American-born socio, Marcos, have plans to start pairings and tastings as soon as their new beer is out.

For more information about Taifa, visit their website or stop by the shop at puesto number 36. One bottle costs 2,20€. You can also read about Spain’s craft beer movement on Vaya Madrid!

What are your favorite Spanish beers?


Spain Snapshots: the Feria del Caballo in Jerez de la Frontera

Call me a purist, but I love Seville’s April Fair, classism and all. Friends of mine had always talked about the jerezano equivalent, held a few weeks after Seville’s famed fête in mid May. Last year, M and I took the train to nearby Jerez de la Frontera for a day to experience the festival.

Being a celebrated horse breeding and training city, el caballo takes center stage at the fair, with both exhibitions and a horse auction. The biggest difference between the two is that the streets aren’t choked with horse carriages, so there’s less of a chance you’ll get hit by one or drag your dress through horse poop.

But there was plenty more: Jerez’s fair was a fun mix of eclectic and traditional casetas (we danced in a caseta run by a biker bar and drank margaritas at the Mexican restaurant’s tent), many different types of music, and much more wallet friendly. Not having to worry about appearances, we could just enjoy ourselves with all of the adorable, sherry-drinking abuelos.

Not much can hold a candle to Seville’s fair, but Jerez is as damn close as you can get.

If you go: The Feria de Jerez is held over seven days in May, typically during the second week of the month (this year’s festival is the 11th – 18th of May). You can take the train from Seville’s Santa Justa or San Bernardo stations straight to Jerez, with a round-trip ticket costing 17€. Entrance to the fairgrounds in Jerez is free. For more information, check the city’s festivals page.

Have you been to any Andalusian fairs?

My Five Favorite Feria de Abril Moments

The horses are still clip-clopping in my head, the piercing cascabeles echoing throughout the street. At the first hint of azahar and Spring in the air, my feet find themselves marking out the steps to sevillanas, and I start making plans for Seville’s fiesta más alegre.

Every experience at the Feria de Abril is different, and each year I live it in a different way.  It has to be said – the feria isn’t for everyone. Several other blogging friends of mine cry out about the private casetas, open by invitation only, about the inflated prices of food and drink, and even about the dusty alberothat gets onto their dress ruffles.

But I love it. I’ve been to other ferias in other cities – Córdoba, El Puerto de Santa María and Jerez de la Frontera – but nothing quite compares to first time you see the portada lit up, or the feeling of waltzing into a caseta without a word to the door guy. I adore Feria during the day and I rock out at el Real until the wee hours of the morning.

As the date of the alumbrado gets closer, the ganas I have to dress up and dance seem to skyrocket exponentially. At no other point in the year do I feel more sevillana or ready to drink it all in (and I don’t just mean the rebujito).  You know what they say: Yo quiero cruzar el río para bailer sevillanas!

5. Watching the Alumbrado at Josele’s house (2010 and 2011) For several weeks leading up to the fair, workers construct a huge wooden gate, erect temporary houses and string paper lights up on streets named for bullfighters. Ya huele a Feria, y olé, ya huele a Feria.

When I gave class at Edificio Presidente, which sits just in front of the main gate, during my first few years in Seville, I would watch out Javi’s living room window as the Recinto Ferial began to take shape. “Javi, do you like living so close to the Feria,” I asked him one morning before he went to university classes nearby. 

“It’s the best during the alumbrado and when you want to stumble home, but you can get so crazy with the sevillanas music.”He had a point, but I made a mental note to find a friend with a house close to the portada to watch it light up – I’d previously seen it while being crunched between a million other people.

The following year, my friend T was dating a sevillano whose family lived in the building next to Javi’s, and Josele invited us to bring a bottle of fino, plastic cups and 7-up to have a few drinks before midnight. I watched in awe as the larger-than-life NO8DO was lit up, piece by piece. People cheered and bands struck up all at once. I gulped down the rest of my rebujito and went to join the party.

4. My first ride in a horse carriage (2010)

I waved at Leonor from across Gitanillo de Triana street. I would never forget the address of her caseta, as she’d texted it to me half a dozen times and repeated it over and over again in the months leading up to the fair. As it turns out, she and her family were across the street and one door down from Los Sanotes.

It must have been six o’clock and just after lunch when I went over with TJ, who was visiting from Aragón. Leonor disappeared in the caseta and came out wielding a plate of jamón, a jar of rebujito and a few plastic cups. I reached my hands out for them, threatening to drop them into the albero, but she nudged me away with her hip.

“I called Jaime, he’s on his way to pick you up.”

Jaime was my student and just 14 at the time. He came with a sleek horse carriage and climbed down to help me into it in my traje de gitana. Tim followed, and Leonor handed us the food and drinks. I tried to refuse the plate of ham, but she insisted, saying we would need it to reverse the effects of the sherry and 7up mix.

Jaime and his two horses took us along the official carriage route, which snakes its way around the fairgrounds from noon until 8pm. From this vantage point, we could see the whole party comfortably while snacking. Taking a spin with them is something I do yearly, but I’ll never forget how cool it felt to be sitting high up, close enough to touch the farolillos that line the streets.

Plus, I saw the Duquesa de Alba and FLIPPED out. 

3. La Noche Más Larga (2010)

I’ve had my fair share of tipsy moments during the fair. Ha, oops. Even those “Oh, I’ll just go for dinner and come back at a reasonable hour” days seem to stretch on forever.

There was the time Fernando’s nephew took Kelly and I around the fairgrounds for 12 hours, or when I was invited into the largest caseta of them all, or when my students treated me like a princess (as in, they fed me jamón and beer for a few hours). The same day that I rode in a coche de caballos for the first time, I went from classy to trashy in what is, without a doubt, the best night of Feria in my six years going to the Real.

As soon as Jaime had whisked us around, I called to meet up with my guiri girlfriends. Meag, Jenna, Bri and Tiana were all at the same caseta, where the socios was one of T’s friends. There were no sevillanas playing when we arrived – instead, people were doing body shots off of one another in something more reminiscent of Spring Break Acapulco than the Feria de Abril. I resisted the body shots, but we were given mixed drinks for only 3€. For the rest of the night, we bounced around from one tent to the next, chattering away, sharing plates of food and  passing around jars of rebujito.

Around 4 or 5 in the morning, just as the tents were closing down, Meag, TJ and I strode to the churros stands at Calle del Infierno. Exapserated, Meag wished for “la penúltima” beer, a common Andalusian phrase when your real plan is to keep drinking all night.

The carny who was coiling the fried dough of the churros smiled. “I have a six-pack,” he said, “and I’ll sell you each can for a euro.”

We drank down the cold beers with the greasy churros (yeah, I know, ick), bought some gummies and started the slow procession home. Slow in the sense that it took us TWO HOURS to walk a kilometer back to my apartment in Triana.

I blame Joey the Little Chicken for such antics.

2. The birth of Club Social “Aqui No Hay Guiris” (2008)

Susana handed me another beer and asked if I was enjoying my first Feria. Despite dressing like a complete fool, I was enchanted and thrilled to have a place where I was welcome, regardless of whether or not I was a socio.

Llama a unas amigas,” she said, “so that they can see what Feria is like.” I pulled out my archaic mobile phone and sent a few messages around. Lindsay responded and said she’d be on her way shortly.

I finished my beer and asked Isra for another. He made yet another tick on the Novio’s tab and gave me a wink. “A que esto de mola, eh guiri?”  Thirty minutes later, an exasperated rubia sidles up next to me at the bar.

Tía!” Lindsay was sucking in air as I order her a beer. “I’ve tried calling you! I kept telling the guy at the door that I was a friend of the guiri inside!”

I glanced at my phone, which had not been plastered to my body to feel it vibrating. She gulped down some Cruzcampo and related, “He said there weren’t any foreigners here. You know, waved his hand and said ‘Aquí no hay guiris.'”

And thus, the greatest social club of my fellow extranjeros was born. We’re considering putting our names on the list for a caseta just as soon as the fairgrounds are expanded to Charco de la Pava. No more chico frito or tortilla – we’re stocking that tent with chicken fingers and hamburgers!

1. “Tu, que eres, de Chicago de la Frontera?” (2009)

My most memorable Feria de Abril moment came from a drunk socio of Los Sanotes, who has forever immortalized me – at least to my sevillano friends – and still makes my students laugh when they ask me to retell it.

Late one night during my second fair, I asked Manolo at the bar for another beer. “Should I add it to your boyfriend’s tab?” he asked, winking.

Not a second later, a drunk, balding socio who reeked of whisky and fried fish was offering to pay for my drink. He looked me up and down and made kissy noises while the Novio snickered behind me.

Oye,” drunken socio cooed, “I don’t know you. Are you from around here?” I tried hard not to laugh the beer right out of my nose as he shimmied and answered, “No, I’m from Chicago.” 

Olé, from Chiclana, right near the beach. That’s nice. Olé.” Drunk socio had confused my hometown with a beachside resort town called Chiclana de la Frontera, thousands of miles away from my beloved Sevilla.

I could see the Novio and his friend Alfonso making a slow exit to leave me to my own devices. By now, I was wedged in between the bar and one of drunk socio’s sausage arms. Avoid his gaze (and whiskey breath), I answered: “Nooooo, de She-cah-go!” I corrected him.

“Ya, ya, ya. De Chicago de la Frontera, quilla.”

And that’s how I became known as the gitana from the American town with the most rate, a nickname that sticks with me to this day.

Feria begins officially on May 5th at midnight when the mayor switches on the main gate’s 10 thousand plus lights. Don’t be fooled by the local name – Feria de Abril – we stick to tradition and start partying two weeks after Easter Monday. If you’re going, remember to dress sharply and bring enough money to cover your food and drinks. For more, check out my Dos and Don’ts of Feria, or how to buy a flamenco dress and its accessories.

Seville Snapshots: Costaleros Practicing for Holy Week

The capataz knocks once. As if mechanically, the 40-off men beneath the wooden structure heave together, resting on their heels, hands gripping the wooden beams above their heads.

A second knock, and they launch into the air together.

On the third, the simulation float has rested on their shoulders, and they begin a coordinated dance down the street, walking in sync as they practice for their glorious penitence – Holy Week.

You all know that I paso de pasos (and the crowds, and the brass bands and even the torrijas), but the grueling pilgrimage from one’s church to the Cathedral and back fascinates me. No one bears the brunt more than the costaleros, who must pay for this prestigious position within their brotherhoods and seek penitence through their labor, carrying over 100 pounds for an average of eight hours.

In the weeks leading up to Viernes de Dolores, no less than 60 brotherhoods will crisscross the city to practice, placing cinderblocks on top of the metal float to simulate the large statue, each depicting the final moments of Jesus Christ’s life or of the weeping Virgin Mary. For ten days, Seville is full of religious fervor as the ornate pasos descend on the city center.

For an official route plan with approximate times, check here. You can use this to either catch the processions, or totally avoid them!

What are your Holy Week plans? Have you ever seen Semana Santa in Seville?

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