There are some things in Seville that don’t need any further explanation – a cotton candy sunset over Triana, Plaza de España’s beautiful tile benches, the dreamy chords and staccato of a flamenco performance.
And then there’s the largest Gothic cathedral in the world and its stunning minaret. Visiting the rooftop has long been on my to-do list, and even with a guide recounting the history, lore and practicality of the temple, the views of La Hispalense needed no explanation.
Florentino met us at Puerta de San Miguel, adjacent to Avenida de la Constitución. It was a busy Saturday evening, and the streets were clogged with families and street performers. Once we’d stepped inside – our guide with an enormous key and soft feet – we’d get ground rules: watch your step, stay with the group, and don’t touch any wires.
We climbed a winding staircase, worn down by more than 600 years of history. Etched Stars of David, rhombuses and other figures were a testament to the 100 years it took to build the cathedral once the city was reconquered. It was dark and cramped, but we emerged just over the sacristy, affording us views of Plaza de Virgen de los Reyes below.
For someone who has climbed the Giralda and visited the cathedral itself two dozen times, I didn’t think the building and anchor any touristic route would hold much mystery.
Florentino reminded us to watch our step as I nearly tripped over a stone pod on the uneven surface. These devices were used as weights for the reliquia below – statues, paintings and even old altarpieces were hoisted using this archaic system. So, there, I learned something. He pointed out features in the building process, from the stained glass to the buttresses, navigated a labyrinth of staircases, rooms and small patios.
When you’ve admired the sprawling cathedral from below, it’s incredible to see the details up close. So close, in fact, that I received a shock from wires designed to keep pigeons away. Oops, broke rule three.
We climbed and climb, retracing the Latin cross as Florentino recounted the 500 chapels below our feet and lore about the construction and consecration of the cathedral. Like everyone else, I gasped when we reached the highest point of the tour.
We were just a few yards from the Giralda, and climbed up the dome of the sacristy to contemplate the tower. Along with the Patio de los Naranjos, the minaret is a trace of the mosque that stood here until the reconquest in the 12th century.
Entering the temple shortly after, we walked behind the organ on a small walkway that could only accommodate you if you squeezed by, careful not to trip over the wires that light the naves. I had lost Florentino’s voice by now, but that hardly mattered.
Once back on the ground, I could truly appreciate the immensity of the cathedral and its importance in Seville lore and history. The church built to inspire all those who see it to think that the architects and commissioners must have been crazy. Crazy, maybe.
If you go: Conocer Sevilla runs weekly visits to the cathedral rooftop – called the Cubertizo de la Catedral. Tours are about 90 minutes, cost 12 per person and it’s recommendable to wear comfortable clothing, as surfaces are unsteady and there is a bit of climbing involved. For more information and reservations, check Conocer Sevilla’s webpage.